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Object Sculpture That:

Object Sculpture That Romanesque.—Romanesque sculpture exhibits the renewed vitality of Western culture in the llth and 12th centuries. A factor, highly favorable to its development, was that sculpture at this time was eminently useful. Nearly all Romanesque sculpture was for the embellishment of churches and sacred object sculpture thats. It follows that most of it is in relief, be it in the stone of which the churches were built, or be it in the gold or bronze or wood of the object sculpture that it adorned and gave meaning to.

'^lighting should be used with care. After all the aim of light-njthe garden is to see the shadows. But sometimes there is an object sculpture that a sculpture that enters a new visual dimension when a light shines fcctly upon its structure. SMowing is achieved by silhouetting an object sculpture that's shadow on a •J or the side of a house or garage.


Be careful always to choose garden sculpture that is in keeping with the architecture of the house and general surroundings, and with the overall atmosphere you are trying to achieve in the garden. For example, a small statue of a pig or a cat, say, which is definitely rustic and informal in character, will look out of place against the formal outline of a grand, dignified house. Such a building calls for a more formal treatment and demands a grand, impressive statue that is more in keeping with its style. The most dramatic results can be obtained by positioning a sculpture at the end of a vista. Alternatively, it can be placed at the sharp bend of a path, or at the junction of two paths, so that the piece can be seen from both directions. Sited centrally at the back of an area, it can act as a focal point, but set asymmetrically to offset the curve of a flower bed, the object sculpture that will create a more relaxed and informal effect. For greater formality, doorways and stairs can be flanked by sculpture. Sculpture can also be used as a counterpoint to a particularly bold plant, or it can be used to distract the eye from an unsightly feature such as a garbage can or a compost pile.

 

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