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Rendering Feature: She blundered her way through technique, resorting to any means to get desired effects. The blurred, out-of-focus images that many critics deplored were deliberate. She wrote to her friend Sir John Herschel that she hoped to elevate her art beyond
mere conventional topographic Photography—map making & skeleton rendering feature of feature & form without that roundness & fulness of force & feature that modelling of flesh & limb which the focus I use only can give tho' called & condemned as "out of focus'' What is focus—& who has a right to say what focus is the legitimate focus—My aspirations are to ennoble Photography and to secure for it the character and uses of High Art by combining the real & ideal & sacrificing nothing of Truth by all possible devotion to Poetry & Beauty—,19.
Professor Lippmann has shown me slides of still-life subjects by projection, that were as perfect in color as in an ordinary glass-positive in the rendering feature of the image in monochrome. The rendering feature of white tones was astonishing, and a slide made by one of the Lumiere brothers, at a time when they were trying to make the process commercially possible, a slide of a girl in a plaid dress on a brilliant sunlit lawn, was simply dazzling, and one would have to go to a good Renoir to find its equal in color luminosity.
That's one reason why the feature photography field remains comparatively uncrowded, despite its obvious advantages over spot news coverage. It's easier for the cameraman to come up to the standards of news photography than to those of feature photography. There are many photographers perfectly capable of doing features, and who would like to do them, who never get into the field for the simple reason that they don't ever see the opportunities all around them for feature pictures. They lack the knack, something akin to the "nose for news" mentioned in the previous chapter, to recognize feature picture material.
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